Social Studies
Films by Maher Abi Samra, Marwa Arsanios, and Jumana Manna
It may be a cliché to say that the past, from the perspective of the present, looks like a field of ruins for the historian to excavate. But our past, then, was literally a field of ruins, not for excavation, but for reconstruction and pillaging. We emerged from the civil war into a violent reconstruction process, governed by a postwar settlement that was characterized by “state-sponsored amnesia,” and a genuine desire to forget past horrors. We rushed into the future because we had no past, at least no past that could provide us with a sense of belonging, meaning, or continuity with what had come before. We were the product of a rupture, and we became the vanguard by default.
Walid Raad, Selections from The Atlas Group
An open-ended “summa” that takes the arts as if they were the privileged site of thinking, even when they inevitably fail.
A second edition of the influential Beirut artist and thinker’s timeless text